![]() Robin Kirkpatrick, 3 vols, London: Penguin Books, 2006- (combined in one volume with a revised introduction, 2012). The Divine Comedy, translated with an introduction, notes and commentary by Mark Musa, Bloomington: Indiana University Press,1997–. Allen Mandelbaum (with an introduction by Eugenio Montale and notes by Peter Armour), New York, London and Toronto: Alfred A. Finally, the exhibit displays works that explore the reception of Dante’s masterpiece across a variety of cultural contexts. Singleton, 6 vols, Princeton: Princeton University Press, 1970 (published in England by Routledge & Kegan Paul, 1971). The exhibit includes medieval, early modern, and modern visual representations of the Divine Comedy, ranging from fourteenth-century illuminations to Sandro Botticelli’s and William Blake’s series of illustrations. The Divine Comedy, translated with a commentary, by Charles S. La nobilt et l’eccellenza delle donne (L. ![]() Sinclair, 3 vols, New York: Oxford University Press, 19 (with reprints). The items in this section present medieval illuminations and modern illustrations of the Divine Comedy, along with texts that are inspired by or refer to Dante’s work from the sixteenth to the twentieth century. The Divine Comedy, Italian text with translation by John D. Charles Eliot Norton, 3 vols, Boston and New York: The Riverside Press, 1892 (various reprints). The Divine Comedy of Dante Alighieri, trans. Translations of the Commedia are legion but participants may consider the following: Lettering r-evolution: a comparison between medieval illumination and. ![]() We will read excerpts from Canto I,III, IV, V, IX, X, XI, XVII, XXVII, XXXIII.Ī literal translation in English will be provided on the screen. The Dante Encyclopedia, edited by Richard H. We will read excerpts from Canto I, II,X, XI, XVI, XVII, XVIII, XXVII, XXX, XXXIII. We will read excerpts from Canto I, IV,V, XIII, XIX, XXV, XXVI, XXVII, XXXIII, XXXIV. The idea is for the audience to really experience the event like a journey from Hell, through Purgatory, to Paradise. ![]() The reading and the commentary show how Dante’s medieval vision may be relevant to contemporary existential concerns. This general account will also provide an opportunity to view Dante’s cosmos, illustrated by a carefully arranged visual system.Ī carefully arranged visual system is also set to offer a simultaneous translation in English of the text, which is read in the original and illustrated by colourful medieval illuminations. We will take a journey through the entire Divine Comedy, rarely considered in its entirety, but usually approached Canto by Canto. ![]()
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